{"id":3530,"date":"2018-05-25T14:46:09","date_gmt":"2018-05-25T14:46:09","guid":{"rendered":"http:\/\/nicolasdescoteaux.com\/?page_id=3530"},"modified":"2018-12-01T00:38:10","modified_gmt":"2018-12-01T00:38:10","slug":"1-big-shoot","status":"publish","type":"page","link":"http:\/\/nicolasdescoteaux.com\/?page_id=3530","title":{"rendered":"1- Big shoot"},"content":{"rendered":"

[vc_row][vc_column][vc_gallery type=”flexslider_slide” interval=”0″ images=”4332,4348,4347,4346,4345,4344,4343,4342,4341,4340,4339,4338,4337,4336,4335,4334,4333″ img_size=”full” onclick=”” css_animation=”slideInDown”][\/vc_column][\/vc_row][vc_row][vc_column offset=”vc_col-sm-offset-1 vc_col-xs-offset-1 vc_col-xs-12″][vc_custom_heading text=”BIG |SHOOT” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes” css_animation=”cms_animate wow slideInRight” cms_custom_headding_type=”heading-borderleft-textbold”][\/vc_column][\/vc_row][vc_row row_mask_bg=”” row_arrow=”” css=”.vc_custom_1518409839979{padding-top: 30px !important;}”][vc_column width=”1\/2″][vc_column_text css=”.vc_custom_1541344424249{padding-left: 30px !important;}”]Texte :<\/strong> Koffi Kwolul\u00e9<\/span><\/p>\n

Mise en sc\u00e8ne :<\/strong> Kristian Fredric<\/p>\n

 <\/p>\n

Sc\u00e9nographie : <\/strong>Enki Bilal<\/p>\n

Costumes :<\/strong> Cl\u00e9mence Pernoud<\/p>\n

Lumi\u00e8res :<\/strong> Nicolas Desc\u00f4teaux<\/p>\n

Son :<\/strong>\u00a0Larsen Lupin<\/span><\/p>\n

Vid\u00e9o :<\/strong> Le bureau officiel<\/span><\/p>\n

Photos :<\/strong> \u00a9 Nicolas Desc\u00f4teaux<\/p>\n

 <\/p>\n

PRODUCTION :\u00a0<\/strong>L\u00e9zards qui bougent, Th\u00e9\u00e2tre Denise-Pelletier, Usine C
\n<\/span><\/p>\n

Montr\u00e9al, 2005\u00a0; Canada, France, 2006<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_custom_heading text=”Description | Citations” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”][vc_column_text]<\/p>\n

Premi\u00e8re rencontre dans un caf\u00e9 avec Kristian Fredric, et d\u00e9j\u00e0 il me fusille avec le\u00a0 cin\u00e9ma noir et blanc des ann\u00e9es 20 \u00e0 40, de Giacometti et d\u2019Enki Bilal.\u00a0 Je visionne <\/span>La nuit du chasseur<\/span>, <\/span>Nosferatu<\/span>, Orson Welles, Fritz Land et les films des directeurs photos Stanley Cortez et Henry Alekan.\u00a0 La lumi\u00e8re de ces films est splendide, et elle a un d\u00e9nominateur commun\u00a0: elle est toute en angle et perpendiculaire \u00e0 l\u2019axe de la cam\u00e9ra\u00a0!
\n<\/span><\/p>\n

 <\/p>\n

Big Shoot<\/span>, c\u2019est l\u2019histoire d\u2019un bourreau qui a tu\u00e9 toute la cit\u00e9\u00a0: les hommes, les femmes, les chiens, le maire, le gouverneur.\u00a0 Il n\u2019en reste qu\u2019un seul survivant.\u00a0 Et pour son dernier meurtre, le bourreau aspire au chef-d\u2019\u0153uvre\u00a0!\u00a0 Dans une cage de verre qui pivote sans arr\u00eat, sign\u00e9e Enki Bilal, les lumi\u00e8res blanches du film en noir et blanc s\u2019allument et s\u2019\u00e9teignent au gr\u00e9 des rotations et des agressions.\u00a0 Seule une couleur persiste…\u00a0 Le bleu Bilal\u00a0!<\/span><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_mask_bg=”” row_arrow=”” css=”.vc_custom_1518423354950{padding-top: 40px !important;}”][vc_column][vc_text_separator title=”PRESSE”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1541344501352{padding-top: 20px !important;padding-bottom: 20px !important;}”][\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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