{"id":3528,"date":"2018-05-25T14:45:10","date_gmt":"2018-05-25T14:45:10","guid":{"rendered":"http:\/\/nicolasdescoteaux.com\/?page_id=3528"},"modified":"2018-12-01T00:32:00","modified_gmt":"2018-12-01T00:32:00","slug":"1-moitie","status":"publish","type":"page","link":"http:\/\/nicolasdescoteaux.com\/?page_id=3528","title":{"rendered":"1- Moiti\u00e9"},"content":{"rendered":"

[vc_row][vc_column][vc_gallery type=”flexslider_slide” interval=”0″ images=”4317,4331,4330,4329,4328,4327,4326,4325,4324,4322,4320,4319,4318″ img_size=”full” onclick=”” css_animation=”slideInDown”][\/vc_column][\/vc_row][vc_row][vc_column offset=”vc_col-sm-offset-1 vc_col-xs-offset-1 vc_col-xs-12″][vc_custom_heading text=”MOITI\u00c9 -|MOITI\u00c9” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes” css_animation=”cms_animate wow slideInRight” cms_custom_headding_type=”heading-borderleft-textbold”][\/vc_column][\/vc_row][vc_row row_mask_bg=”” row_arrow=”” css=”.vc_custom_1518409839979{padding-top: 30px !important;}”][vc_column width=”1\/2″][vc_column_text css=”.vc_custom_1541344011002{padding-left: 30px !important;}”]Texte :<\/strong> Daniel Keene<\/span><\/p>\n

Mise en sc\u00e8ne :<\/strong> Kristian Fredric<\/p>\n

Dramaturgie :<\/strong> Denis Lavalou<\/span><\/p>\n

Mise en corps :<\/strong> Laurence Levasseur<\/span><\/p>\n

Sc\u00e9nographie :\u00a0Charles-Antoine Roy<\/span><\/strong><\/p>\n

Costumes :<\/strong>\u00a0Anne S\u00e9guin Poirier<\/span><\/p>\n

Lumi\u00e8res :<\/strong> Nicolas Desc\u00f4teaux<\/p>\n

Son :<\/strong> Larsen Lupin<\/span><\/p>\n

Maquillage :<\/strong> Florence Cornet<\/span><\/p>\n

Photos :<\/strong> \u00a9 Nicolas Desc\u00f4teaux<\/p>\n

 <\/p>\n

PRODUCTION :\u00a0<\/strong>L\u00e9zards qui bougent, Th\u00e9\u00e2tre complice, Les c\u00e9l\u00e9brants, Usine C
\n<\/span><\/p>\n

Montr\u00e9al, 2007<\/span><\/p>\n

France, Suisse, Belgique, 2008<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_custom_heading text=”Description | Citations” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”][vc_column_text]<\/p>\n

Lorsque l\u2019on travaille avec Kristian Fredric, les r\u00e9f\u00e9rences foisonnent, et la recherche visuelle\u00a0 essentielle s\u2019articule autour de ces th\u00e8mes.\u00a0 D\u00e8s le d\u00e9part, le peintre qu\u00e9b\u00e9cois Louis-Pierre Bougie sera notre inspiration pour la palette des couleurs, l\u2019univers \u00e9trange du photographe Gregory Crewdson pour le d\u00e9cor et la lumi\u00e8re, le peintre Beacon pour son \u00e9tranget\u00e9, puis Edward Hooper pour ses belles ombres et lumi\u00e8res.
\n<\/span><\/p>\n

 <\/p>\n

C\u2019est une pi\u00e8ce \u00e9trange o\u00f9 est expos\u00e9e la rencontre de deux fr\u00e8res oppos\u00e9s par la vie, par 20 ans en diff\u00e9rence d\u2019\u00e2ge, et qui ne sont pas vus depuis 10 ans.\u00a0 La cuisine devient tant\u00f4t le lieu de r\u00e9conciliation, tant\u00f4t le jardin commun, tant\u00f4t le lieu de s\u00e9pulture de la m\u00e8re qui mourut durant l\u2019exil du fr\u00e8re a\u00een\u00e9.\u00a0 \u00c0 la fin, un arbre au milieu de la cuisine, sans mur, dans ce No Man\u2019s Land, les deux fr\u00e8res se rencontrent pour ne faire qu\u2019un.<\/span><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_mask_bg=”” row_arrow=”” css=”.vc_custom_1518423354950{padding-top: 40px !important;}”][vc_column][vc_text_separator title=”PRESSE”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1541343782698{padding-top: 20px !important;padding-bottom: 20px !important;}”][\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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