{"id":3526,"date":"2018-05-25T14:44:47","date_gmt":"2018-05-25T14:44:47","guid":{"rendered":"http:\/\/nicolasdescoteaux.com\/?page_id=3526"},"modified":"2018-12-01T00:29:14","modified_gmt":"2018-12-01T00:29:14","slug":"1-la-fin","status":"publish","type":"page","link":"http:\/\/nicolasdescoteaux.com\/?page_id=3526","title":{"rendered":"1- La Fin"},"content":{"rendered":"

[vc_row][vc_column][vc_gallery type=”flexslider_slide” interval=”0″ images=”4376,4305,4315,4314,4313,4311,4310,4309,4308,4307,4306″ img_size=”full” onclick=”” css_animation=”slideInDown”][\/vc_column][\/vc_row][vc_row][vc_column offset=”vc_col-sm-offset-1 vc_col-xs-offset-1 vc_col-xs-12″][vc_custom_heading text=”LA |FIN” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes” css_animation=”cms_animate wow slideInRight” cms_custom_headding_type=”heading-borderleft-textbold”][\/vc_column][\/vc_row][vc_row row_mask_bg=”” row_arrow=”” css=”.vc_custom_1518409839979{padding-top: 30px !important;}”][vc_column width=”1\/2″][vc_column_text css=”.vc_custom_1541343562710{padding-left: 30px !important;}”]Texte :\u00a0<\/strong>Alexis Martin<\/span><\/p>\n

Mise en sc\u00e8ne : <\/strong>Daniel Bri\u00e8re<\/p>\n

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Sc\u00e9nographie :\u00a0<\/strong>Michel Ostaszewski <\/span><\/p>\n

Costumes :\u00a0<\/strong>Claire Geoffrion<\/span><\/p>\n

Lumi\u00e8res :<\/strong> Nicolas Desc\u00f4teaux<\/p>\n

Musique originale :\u00a0<\/strong>Nano Peylet<\/span><\/p>\n

Design sonore :<\/strong> Benoit Durand-Jodoin
\n<\/span><\/p>\n

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Photos :<\/strong> \u00a9 Nicolas Desc\u00f4teaux<\/p>\n

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PRODUCTION :\u00a0<\/strong>Nouveaux Th\u00e9\u00e2tre Exp\u00e9rimental.
\n<\/span><\/p>\n

Montr\u00e9al 2010<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_custom_heading text=”Description | Citations” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”][vc_column_text]<\/p>\n

Ce spectacle, con\u00e7u et imagine par Alexis Martin et Daniel Bri\u00e8re, fut construit autour du th\u00e8me de la fin\u2026 De toutes sorte de fins mais la fin pas comme une finitude mais comme un passage comme la fin d\u2019une \u00e9poque plus que celle du monde. Le spectacle exploitait aussi plusieurs formes narrative comme le jeu d\u2019ombres, la chanson, le micro-th\u00e9\u00e2tre, le masque pour sugg\u00e9rer diff\u00e9rente fin! S\u2019appuyant\u00a0 sur le th\u00e8me de Lavoisier \u00ab\u00a0 Rien ne se perd, rien ne se cr\u00e9e, tout se transforme\u00a0\u00bb l\u2019utilisation d\u2019une mati\u00e8re appel\u00e9e \u00ab\u00a0la schnoute\u00a0\u00bb pour son caract\u00e8re incontr\u00f4lable et organique,\u00a0 allait couler sur les m\u00fbrs plastique translucide, la table centrale et les acteurs.
\n<\/span><\/p>\n

M\u00eame la lumi\u00e8re semblait mati\u00e8re \u00e0 travers les murs plastique diaphane disposer en rond sugg\u00e9rant un espace clos comme un laboratoire o\u00f9 la vie est observ\u00e9e sous un microscope. Des tubes fluorescents disposer verticalement derri\u00e8re les murs donnait un aspect moderne au lieux pour la sc\u00e8ne du CERN et de la discoth\u00e8que en \u00e9pilogue. Un effet stroboscopique efficace fut programm\u00e9 avec les tubes pour sugg\u00e9rer la mise en marche de l\u2019acc\u00e9l\u00e9rateur de particule!<\/span><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_mask_bg=”” row_arrow=”” css=”.vc_custom_1518423354950{padding-top: 40px !important;}”][vc_column][vc_text_separator title=”PRESSE”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1541343176413{padding-top: 20px !important;padding-bottom: 20px !important;}”][\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_gallery type=”flexslider_slide” interval=”0″ images=”4376,4305,4315,4314,4313,4311,4310,4309,4308,4307,4306″ img_size=”full” onclick=”” css_animation=”slideInDown”][\/vc_column][\/vc_row][vc_row][vc_column offset=”vc_col-sm-offset-1 vc_col-xs-offset-1 vc_col-xs-12″][vc_custom_heading text=”LA |FIN” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes” css_animation=”cms_animate wow slideInRight” cms_custom_headding_type=”heading-borderleft-textbold”][\/vc_column][\/vc_row][vc_row row_mask_bg=”” row_arrow=”” css=”.vc_custom_1518409839979{padding-top: 30px !important;}”][vc_column width=”1\/2″][vc_column_text css=”.vc_custom_1541343562710{padding-left:<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":3256,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/pages\/3526"}],"collection":[{"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3526"}],"version-history":[{"count":4,"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/pages\/3526\/revisions"}],"predecessor-version":[{"id":4377,"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/pages\/3526\/revisions\/4377"}],"up":[{"embeddable":true,"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/pages\/3256"}],"wp:attachment":[{"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3526"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}