{"id":3520,"date":"2018-05-25T14:43:53","date_gmt":"2018-05-25T14:43:53","guid":{"rendered":"http:\/\/nicolasdescoteaux.com\/?page_id=3520"},"modified":"2019-04-11T12:31:39","modified_gmt":"2019-04-11T12:31:39","slug":"1-ronfard","status":"publish","type":"page","link":"http:\/\/nicolasdescoteaux.com\/?page_id=3520","title":{"rendered":"1- Ronfard"},"content":{"rendered":"

[vc_row][vc_column][vc_gallery type=”flexslider_slide” interval=”0″ images=”4276,4269,4268,4275,4266,4282,4281,4280,4278,4277,4274,4273,4271,4272,4270,4267″ img_size=”full” onclick=”” css_animation=”slideInDown”][\/vc_column][\/vc_row][vc_row][vc_column offset=”vc_col-sm-offset-1 vc_col-xs-offset-1 vc_col-xs-12″][vc_custom_heading text=”RONFARD |NU DEVANT SON MIROIR” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes” css_animation=”cms_animate wow slideInRight” cms_custom_headding_type=”heading-borderleft-textbold”][\/vc_column][\/vc_row][vc_row row_mask_bg=”” row_arrow=”” css=”.vc_custom_1518409839979{padding-top: 30px !important;}”][vc_column width=”1\/2″][vc_column_text css=”.vc_custom_1541289356079{padding-left: 30px !important;}”]Texte :<\/strong>\u00a0\u00c9velyne De La Cheneli\u00e8re<\/p>\n

Mise en sc\u00e8ne :<\/strong> Daniel Bri\u00e8re et \u00c9velyne De La Cheneli\u00e8reEstelle Clareton<\/p>\n

 <\/p>\n

Chor\u00e9graphies :<\/strong>\u00a0Estelle Clareton<\/p>\n

Sc\u00e9nographie :\u00a0<\/strong>Michel Ostaszewski<\/p>\n

Costumes :\u00a0<\/strong>Marija Djorjevic<\/p>\n

Lumi\u00e8res :<\/strong> Nicolas Desc\u00f4teaux<\/p>\n

Musique :<\/strong> Larsen Lupin<\/p>\n

 <\/p>\n

Photos :<\/strong> \u00a9 Nicolas Desc\u00f4teaux<\/p>\n

 <\/p>\n

PRODUCTION :<\/strong> NOUVEAU TH\u00c9\u00c2TRE EXP\u00c9RIMENTAL<\/p>\n

Montr\u00e9al, mars 2011
\n<\/span><\/p>\n

Th\u00e9\u00e2tre Espace Libre<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_custom_heading text=”Description | Citations” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”][vc_column_text]<\/p>\n

Un message t\u00e9l\u00e9phonique qui appelle \u00e0 la d\u00e9linquance. Les interpr\u00e9tations se multiplient, le sens des possibles \u00e9clate, une fantasmagorie po\u00e9tique se d\u00e9ploie. Le spectacle est une exp\u00e9rimentation autour d\u2019un v\u00e9ritable message t\u00e9l\u00e9phonique laiss\u00e9 par l\u2019homme de th\u00e9\u00e2tre Jean-Pierre Ronfard, peu de temps avant sa mort. Evelyne et Daniel ont d\u00e9cortiqu\u00e9 ce document sonore pour en tirer un mat\u00e9riau \u00e9tonnant, source d\u2019une proposition th\u00e9\u00e2trale libre et radicale. La d\u00e9marche s\u2019apparente \u00e0 l\u2019autopsie d\u2019un message comme fondement d\u2019une dramaturgie. Diss\u00e9quer le message, jusqu\u2019\u00e0 le lac\u00e9rer, prendre le risque de sa disparition pour en interroger toutes les virtualit\u00e9s.
\n<\/span><\/p>\n

Daniel Bri\u00e8re et Evelyne de la Cheneli\u00e8re abordent ce message comme un h\u00e9ritage, pr\u00e9cieux et encombrant \u00e0 la fois puisque, in\u00e9vitablement, il remet en question d\u2019une mani\u00e8re profonde le peu de convictions qu\u2019ils ont, en tant qu\u2019h\u00e9ritiers, de ce que doivent \u00eatre l\u2019audace, l\u2019irr\u00e9v\u00e9rence, le risque et l\u2019exc\u00e8s au th\u00e9\u00e2tre.<\/span><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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