{"id":3518,"date":"2018-05-25T14:43:32","date_gmt":"2018-05-25T14:43:32","guid":{"rendered":"http:\/\/nicolasdescoteaux.com\/?page_id=3518"},"modified":"2018-11-30T21:43:36","modified_gmt":"2018-11-30T21:43:36","slug":"1-sang-blanc","status":"publish","type":"page","link":"http:\/\/nicolasdescoteaux.com\/?page_id=3518","title":{"rendered":"1- Sang Blanc"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_gallery type=&#8221;flexslider_slide&#8221; interval=&#8221;0&#8243; images=&#8221;4249,4264,4263,4262,4261,4260,4259,4258,4257,4256,4255,4254,4253,4252,4251,4250&#8243; img_size=&#8221;full&#8221; onclick=&#8221;&#8221; css_animation=&#8221;slideInDown&#8221;][\/vc_column][\/vc_row][vc_row][vc_column offset=&#8221;vc_col-sm-offset-1 vc_col-xs-offset-1 vc_col-xs-12&#8243;][vc_custom_heading text=&#8221;SANG |BLANC&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css_animation=&#8221;cms_animate wow slideInRight&#8221; cms_custom_headding_type=&#8221;heading-borderleft-textbold&#8221;][\/vc_column][\/vc_row][vc_row row_mask_bg=&#8221;&#8221; row_arrow=&#8221;&#8221; css=&#8221;.vc_custom_1518409839979{padding-top: 30px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1541288944362{padding-left: 30px !important;}&#8221;]<strong>Texte :<\/strong> Laurence Levasseur<\/p>\n<p><strong>Mise en sc\u00e8ne, chor\u00e9graphie, sc\u00e9nographie :<\/strong> Laurence Levasseur<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Costumes :<\/strong> Fr\u00e9d\u00e9rique Gautron<\/p>\n<p><strong>Lumi\u00e8res :<\/strong> Nicolas Desc\u00f4teaux<\/p>\n<p><strong>Musiques :<\/strong> Arnaud Rollat<\/p>\n<p><strong>Vid\u00e9o :<\/strong> M\u00e2a<\/p>\n<p><strong>Photos :<\/strong> \u00a9 Nicolas Desc\u00f4teaux<\/p>\n<p>&nbsp;<\/p>\n<p><strong>PRODUCTION :\u00a0<\/strong>\u00a0Th\u00e9\u00e2tre National de Chaillot, Paris,\u00a0L\u00fbl\u00eestan,<\/p>\n<p class=\"paragraph_style\"><span class=\"style\">Avril 2011<\/span><\/p>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_custom_heading text=&#8221;Description | Citations&#8221; font_container=&#8221;tag:h3|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][vc_column_text]<\/p>\n<p class=\"paragraph_style\"><span class=\"style\">\u201c<\/span><span class=\"style_1\">Sang Blanc<\/span><span class=\"style\"> est un cri, un t\u00e9moignage en mots et en geste qui raconte la blessure des corps et des \u00e2mes. Convoquant les d\u00e9esses grecque de la vengeance, l\u2019oeuvre m\u00eale mythologie et figures all\u00e9goriques pour rendre visibles les points n\u00e9ants de l\u2019humanit\u00e9.<br \/>\n<\/span><\/p>\n<p class=\"paragraph_style\"><span class=\"style\">Sur le plateau, une Sybille-Moudjahidine ceinte de bandages \u00e9volue dans un d\u00e9cor sobre, compos\u00e9 d\u2019une plaque tectonique symbole du non lieu. Tiraill\u00e9 de toute part, son \u00eatre h\u00e9site entre la col\u00e8re et la mort, le pardon et la vie. De cet imp\u00e9tueux d\u00e9cha\u00eenement des forces antagonistes se d\u00e9gage une gestuelle subjuguante, flirtant avec l\u2019inqui\u00e9tude. La musique, sur laquelle se d\u00e9clinent certains passages du texte, emprunte ses sonorit\u00e9s \u00e0 l\u2019Asie centrale.\u201d<\/span><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_gallery type=&#8221;flexslider_slide&#8221; interval=&#8221;0&#8243; images=&#8221;4249,4264,4263,4262,4261,4260,4259,4258,4257,4256,4255,4254,4253,4252,4251,4250&#8243; img_size=&#8221;full&#8221; onclick=&#8221;&#8221; css_animation=&#8221;slideInDown&#8221;][\/vc_column][\/vc_row][vc_row][vc_column offset=&#8221;vc_col-sm-offset-1 vc_col-xs-offset-1 vc_col-xs-12&#8243;][vc_custom_heading text=&#8221;SANG |BLANC&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css_animation=&#8221;cms_animate wow slideInRight&#8221; cms_custom_headding_type=&#8221;heading-borderleft-textbold&#8221;][\/vc_column][\/vc_row][vc_row row_mask_bg=&#8221;&#8221; row_arrow=&#8221;&#8221; css=&#8221;.vc_custom_1518409839979{padding-top: 30px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1541288944362{padding-left:<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":3256,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/pages\/3518"}],"collection":[{"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3518"}],"version-history":[{"count":3,"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/pages\/3518\/revisions"}],"predecessor-version":[{"id":4285,"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/pages\/3518\/revisions\/4285"}],"up":[{"embeddable":true,"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/pages\/3256"}],"wp:attachment":[{"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3518"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}