{"id":3512,"date":"2018-05-25T14:42:02","date_gmt":"2018-05-25T14:42:02","guid":{"rendered":"http:\/\/nicolasdescoteaux.com\/?page_id=3512"},"modified":"2018-11-26T00:39:29","modified_gmt":"2018-11-26T00:39:29","slug":"1-quarttet","status":"publish","type":"page","link":"http:\/\/nicolasdescoteaux.com\/?page_id=3512","title":{"rendered":"1- Quarttet"},"content":{"rendered":"

[vc_row][vc_column][vc_gallery type=”flexslider_slide” interval=”0″ images=”4218,4219,4220,4221,4222,4223,4224,4225,4226,4227,4228,4229,4230,4231,4232″ img_size=”full” onclick=”” css_animation=”slideInDown”][\/vc_column][\/vc_row][vc_row][vc_column offset=”vc_col-sm-offset-1 vc_col-xs-offset-1 vc_col-xs-12″][vc_custom_heading text=”|QUARTETT” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes” css_animation=”cms_animate wow slideInRight” cms_custom_headding_type=”heading-borderleft-textbold”][\/vc_column][\/vc_row][vc_row row_mask_bg=”” row_arrow=”” css=”.vc_custom_1518409839979{padding-top: 30px !important;}”][vc_column width=”1\/2″][vc_column_text css=”.vc_custom_1528817597726{padding-left: 30px !important;}”]<\/p>\n

Texte\u00a0:<\/strong> Heiner M\u00fcller<\/p>\n

Mise en sc\u00e8ne\u00a0:<\/strong> Florent Siaud<\/p>\n

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Sc\u00e9nographie\u00a0:<\/strong> Christophe Ouvrard<\/p>\n

Lumi\u00e8res\u00a0:<\/strong> Nicolas Desc\u00f4teaux<\/p>\n

Musique et Son :<\/strong> Nicolas Bernier, Julien \u00c9clancher<\/p>\n

Conception Vid\u00e9o :<\/strong> Juilen Robert, David B. Ricard<\/p>\n

Ass. mise en sc\u00e8ne :<\/strong> Pauline Bouchet<\/p>\n

Photos\u00a0:<\/strong> Nicolas Desc\u00f4teaux<\/p>\n

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Production\u00a0:<\/strong> Les songes turbulants, TH\u00c9\u00c2TRE LA CHAPELLE, Avril 2013<\/p>\n

Avril 2013<\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_custom_heading text=”Description | Citations” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”][vc_column_text]R\u00e9\u00e9criture br\u00fblante et r\u00e9solument contemporaine des Liaisons dangereuses, le Quartett<\/span> de Heiner M\u00fcller met en sc\u00e8ne l\u2019affrontement du Vicomte de Valmont et de la Marquise de Merteuil dans un no man\u2019s land. \u00ab\u00a0Salon d\u2019avant la R\u00e9volution fran\u00e7aise\u00a0\u00bb ? \u00ab\u00a0Bunker d\u2019apr\u00e8s la troisi\u00e8me guerre mondiale\u00a0\u00bb ? L\u2019auteur embl\u00e9matique de Berlin Est ne choisit pas\u00a0: cet univers sera la somme de tous les lieux et de tous les temps ! Guid\u00e9s par le cynisme, l\u2019appel du plaisir et les pulsions de mort, ses libertins s\u2019ab\u00eement dans un jeu de r\u00f4les o\u00f9 les fronti\u00e8res entre bourreau et victime, f\u00e9minin et\u00a0 masculin s\u2019effacent jusqu\u2019au vertige. Du fond d\u2019une nuit sonore et visuelle \u00e0 la noirceur ent\u00eatante, deux cr\u00e9atures pr\u00eatent ici leur timbre, leur peau \u00e0 ce texte incendiaire\u00a0: Marie-Armelle Deguy, ex-pensionnaire de la Com\u00e9die Fran\u00e7aise, et Juliette Plumecocq-Mech, ancienne interpr\u00e8te du Th\u00e9\u00e2tre du Soleil.[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_mask_bg=”” row_arrow=”” css=”.vc_custom_1518423354950{padding-top: 40px !important;}”][vc_column][vc_text_separator title=”PRIX”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1528817414262{padding-top: 20px !important;padding-bottom: 20px !important;}”]<\/p>\n

Prix de l\u2019Association qu\u00e9b\u00e9coise des critiques de th\u00e9\u00e2tre 2013<\/strong><\/p>\n

Cat\u00e9gorie Interpr\u00e9tation f\u00e9minine :<\/em> Juliette Plumecocq-Mech et Marie-Armelle Deguy<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_mask_bg=”” row_arrow=”” css=”.vc_custom_1518423354950{padding-top: 40px !important;}”][vc_column][vc_text_separator title=”PRESSE”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1528817793970{padding-top: 20px !important;padding-bottom: 20px !important;}”] <\/p>\n

 [\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_gallery type=”flexslider_slide” interval=”0″ images=”4218,4219,4220,4221,4222,4223,4224,4225,4226,4227,4228,4229,4230,4231,4232″ img_size=”full” onclick=”” css_animation=”slideInDown”][\/vc_column][\/vc_row][vc_row][vc_column offset=”vc_col-sm-offset-1 vc_col-xs-offset-1 vc_col-xs-12″][vc_custom_heading text=”|QUARTETT” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes” css_animation=”cms_animate wow slideInRight” cms_custom_headding_type=”heading-borderleft-textbold”][\/vc_column][\/vc_row][vc_row row_mask_bg=”” row_arrow=”” css=”.vc_custom_1518409839979{padding-top: 30px !important;}”][vc_column width=”1\/2″][vc_column_text css=”.vc_custom_1528817597726{padding-left: 30px<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":3256,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/pages\/3512"}],"collection":[{"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3512"}],"version-history":[{"count":4,"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/pages\/3512\/revisions"}],"predecessor-version":[{"id":4233,"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/pages\/3512\/revisions\/4233"}],"up":[{"embeddable":true,"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/pages\/3256"}],"wp:attachment":[{"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3512"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}