{"id":3510,"date":"2018-05-25T14:41:43","date_gmt":"2018-05-25T14:41:43","guid":{"rendered":"http:\/\/nicolasdescoteaux.com\/?page_id=3510"},"modified":"2018-11-26T00:40:31","modified_gmt":"2018-11-26T00:40:31","slug":"1-othello-2013","status":"publish","type":"page","link":"http:\/\/nicolasdescoteaux.com\/?page_id=3510","title":{"rendered":"1- Othello 2013"},"content":{"rendered":"

[vc_row][vc_column][vc_gallery type=”flexslider_slide” interval=”0″ images=”4203,4204,4205,4206,4207,4208,4209,4210,4211,4212,4213,4214,4215″ img_size=”full” onclick=”” css_animation=”slideInDown”][\/vc_column][\/vc_row][vc_row][vc_column offset=”vc_col-sm-offset-1 vc_col-xs-offset-1 vc_col-xs-12″][vc_custom_heading text=”OTHELLO” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes” css_animation=”cms_animate wow slideInRight” cms_custom_headding_type=”heading-borderleft-textbold”][\/vc_column][\/vc_row][vc_row row_mask_bg=”” row_arrow=”” css=”.vc_custom_1518409839979{padding-top: 30px !important;}”][vc_column width=”1\/2″][vc_column_text css=”.vc_custom_1528809403922{padding-left: 30px !important;}”]<\/p>\n

Texte\u00a0:<\/strong> William Shakespeare<\/p>\n

Mise en sc\u00e8ne\u00a0:<\/strong> Alison Darcy<\/p>\n

 <\/p>\n

Sc\u00e9nographie\u00a0:<\/strong> V\u00e9ronique Bertrand<\/p>\n

Lumi\u00e8res\u00a0:<\/strong> Nicolas Desc\u00f4teaux<\/p>\n

Musique\u00a0:<\/strong> David Oppenhein<\/p>\n

Ass. mise en sc\u00e8ne :<\/strong> M\u00e9lanie St-Jacques<\/p>\n

Photos\u00a0:<\/strong> Nicolas Desc\u00f4teaux<\/p>\n

 <\/p>\n

Production\u00a0:<\/strong> SEGAL CENTRE et SCAPEGOAT CARNIVAL THEATRE,\u00a02013<\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_custom_heading text=”Description | Citations” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”][vc_column_text]En gagnant la t\u00eate des arm\u00e9es v\u00e9nitiennes, Othello, le Maure de Venise, conquiert \u00e0 la fois le coeur de la belle Desdemona, fille du Doge mais aussi l\u2019amertume de son plus proche conseiller, Iago. D\u00e9vor\u00e9 par la rancune et l\u2019ambition, Iago d\u00e9cha\u00eene la destructrice jalousie d\u2019Othello. Toujours aussi palpitant et \u00e0 couper le souffle, ce classique de Shakespeare prend une nouvelle dimension, dans cette production mettant en vedette une des compagnies de th\u00e9\u00e2tre les plus cr\u00e9atives de Montr\u00e9al.[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_mask_bg=”” row_arrow=”” css=”.vc_custom_1518423354950{padding-top: 40px !important;}”][vc_column][vc_text_separator title=”PRESSE”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1528811115523{padding-top: 20px !important;padding-bottom: 20px !important;}”]” Ceci se traduit par de discrets jeux d\u2019\u00e9clairage, par un faible \u00e9cho au d\u00e9but du spectacle et par des ruissellements d\u2019eau qui ponctuent la pi\u00e8ce. Le tout demeure sobre, dans un univers quasi onirique, r\u00e9solument sombre et d\u00e9nud\u00e9. “<\/em><\/p>\n

Genevi\u00e8ve GERMAIN, Mon th\u00e9\u00e2tre.qc.ca<\/strong><\/p>\n

 <\/p>\n

” The visual elements of the production \u2014 from its sweeping, minimalist set adorned briefly by curio cabinets and its timeless costumes (both by V\u00e9ronique Bertrand) to its moody, lateral lighting (by Nicolas Desc\u00f4teaux) \u2014 are superlative. ”\u00a0<\/em><\/p>\n

Pat DONNELY, The Gazette<\/strong>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_gallery type=”flexslider_slide” interval=”0″ images=”4203,4204,4205,4206,4207,4208,4209,4210,4211,4212,4213,4214,4215″ img_size=”full” onclick=”” css_animation=”slideInDown”][\/vc_column][\/vc_row][vc_row][vc_column offset=”vc_col-sm-offset-1 vc_col-xs-offset-1 vc_col-xs-12″][vc_custom_heading text=”OTHELLO” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes” css_animation=”cms_animate wow slideInRight” cms_custom_headding_type=”heading-borderleft-textbold”][\/vc_column][\/vc_row][vc_row row_mask_bg=”” row_arrow=”” css=”.vc_custom_1518409839979{padding-top: 30px !important;}”][vc_column width=”1\/2″][vc_column_text css=”.vc_custom_1528809403922{padding-left: 30px<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":3256,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/pages\/3510"}],"collection":[{"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3510"}],"version-history":[{"count":5,"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/pages\/3510\/revisions"}],"predecessor-version":[{"id":4216,"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/pages\/3510\/revisions\/4216"}],"up":[{"embeddable":true,"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/pages\/3256"}],"wp:attachment":[{"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3510"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}