{"id":3498,"date":"2018-05-25T14:38:58","date_gmt":"2018-05-25T14:38:58","guid":{"rendered":"http:\/\/nicolasdescoteaux.com\/?page_id=3498"},"modified":"2018-11-25T22:52:05","modified_gmt":"2018-11-25T22:52:05","slug":"psychose-448","status":"publish","type":"page","link":"http:\/\/nicolasdescoteaux.com\/?page_id=3498","title":{"rendered":"1- Psychose 4:48"},"content":{"rendered":"

[vc_row][vc_column][vc_gallery type=”flexslider_slide” interval=”0″ images=”4093,4094,4095,4096,4097,4098,4099,4100,4101,4102,4103,4104,4105″ img_size=”full” onclick=”” css_animation=”slideInDown”][\/vc_column][\/vc_row][vc_row][vc_column offset=”vc_col-sm-offset-1 vc_col-xs-offset-1 vc_col-xs-12″][vc_custom_heading text=”PSYCHOSE |4:48″ font_container=”tag:h1|text_align:left” use_theme_fonts=”yes” css_animation=”cms_animate wow slideInRight” cms_custom_headding_type=”heading-borderleft-textbold”][\/vc_column][\/vc_row][vc_row row_mask_bg=”” row_arrow=”” css=”.vc_custom_1518409839979{padding-top: 30px !important;}”][vc_column width=”1\/2″][vc_column_text css=”.vc_custom_1527601366555{padding-left: 30px !important;}”]Texte :<\/strong>\u00a0Sarah Kane<\/p>\n

Mise en sc\u00e8ne :<\/strong>\u00a0Florent Siaud<\/p>\n

 <\/p>\n

Sc\u00e9nographie : <\/strong>Romain Fabre<\/p>\n

Costumes :<\/strong> Romain Fabre<\/p>\n

Lumi\u00e8res :<\/strong> Nicolas Desc\u00f4teaux<\/p>\n

Musiques et sons :<\/strong> Julien \u00c9clancher<\/p>\n

Vid\u00e9o :<\/strong> David Ricard<\/p>\n

Photos :<\/strong> \u00a9 Nicolas Desc\u00f4teaux<\/p>\n

 <\/p>\n

PRODUCTION :<\/strong> LES SONGES TURBULANTS, 2016<\/p>\n

TH\u00c9\u00c2TRE LA CHAPELLE[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_custom_heading text=”Description | Citations” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”][vc_column_text]Figure sulfureuse de la dramaturgie britannique, Sarah Kane signe avec 4.48 Psychose<\/em> un chant du cygne d\u2019une beaut\u00e9 aussi dangereuse que fascinante. Derri\u00e8re les \u00e9clats po\u00e9tiques d\u2019un texte fragmentaire et novateur \u00e9merge la voix d\u2019une femme qui veut regarder la mort en face pour rester int\u00e8gre avec elle-m\u00eame, sans se conformer \u00e0 un discours dominant qui marginalise tout ce qui s\u2019\u00e9carte de ses normes. Porteurs d\u2019insoumission, ses mots r\u00e9volt\u00e9s laissent aussi percer un cri sublime et d\u00e9chirant sur la d\u00e9pendance amoureuse et le d\u00e9sir qui br\u00fble.[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_mask_bg=”” row_arrow=”” css=”.vc_custom_1518423354950{padding-top: 40px !important;}”][vc_column][vc_text_separator title=”PRIX”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1528818381314{padding-top: 20px !important;padding-bottom: 20px !important;}”]<\/p>\n

Prix de l\u2019Association qu\u00e9b\u00e9coise des critiques de th\u00e9\u00e2tre 2015<\/strong><\/p>\n

Cat\u00e9gorie Interpr\u00e9tation f\u00e9minine :<\/em> Sophie Cadieux<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_mask_bg=”” row_arrow=”” css=”.vc_custom_1518423354950{padding-top: 40px !important;}”][vc_column][vc_text_separator title=”PRESSE”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1527602676003{padding-top: 20px !important;padding-bottom: 20px !important;}”][\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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