{"id":3454,"date":"2018-05-25T12:33:51","date_gmt":"2018-05-25T12:33:51","guid":{"rendered":"http:\/\/nicolasdescoteaux.com\/?page_id=3454"},"modified":"2019-01-02T18:33:09","modified_gmt":"2019-01-02T18:33:09","slug":"2-opera-feerique","status":"publish","type":"page","link":"http:\/\/nicolasdescoteaux.com\/?page_id=3454","title":{"rendered":"2- Op\u00e9ra F\u00e9\u00e9rique"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_gallery type=&#8221;flexslider_slide&#8221; interval=&#8221;0&#8243; images=&#8221;4507,4506,4501,4502,4509,4503,4504,4510,4511,4505,4512,4513&#8243; img_size=&#8221;full&#8221; onclick=&#8221;&#8221; css_animation=&#8221;slideInDown&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=&#8221;OP\u00c9RA|F\u00c9ERIE&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css_animation=&#8221;cms_animate wow slideInRight&#8221; cms_custom_headding_type=&#8221;heading-borderleft-textbold&#8221;][\/vc_column][\/vc_row][vc_row row_mask_bg=&#8221;&#8221; row_arrow=&#8221;&#8221; css=&#8221;.vc_custom_1518409839979{padding-top: 30px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1541750495771{padding-left: 30px !important;}&#8221;]<strong>Musique :<\/strong> Gilles Tremblay<\/p>\n<p><strong>Livret :<\/strong> Pierre Morency<\/p>\n<p><strong>Direction musicale :<\/strong> Lorraine Vaillancourt<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Mise en sc\u00e8ne :<\/strong> Robert Bellefeuille<\/p>\n<p><strong>Sc\u00e9nographie :\u00a0<\/strong>Jean Bard<\/p>\n<p><strong>Costumes :<\/strong> Marianne Th\u00e9riault<\/p>\n<p><strong>Lumi\u00e8res :<\/strong> Nicolas Desc\u00f4teaux<\/p>\n<p><strong>Vid\u00e9o :<\/strong> Etienne Cantin<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Photos :<\/strong> \u00a9 Nicolas Desc\u00f4teaux<\/p>\n<p>&nbsp;<\/p>\n<p><strong>PRODUCTION :<\/strong> CHANTS LIBRES<\/p>\n<p>Montr\u00e9al, Monument National, 2010<\/p>\n<p class=\"paragraph_style\">[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_custom_heading text=&#8221;Extraits | Synopsis&#8221; font_container=&#8221;tag:h3|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][vc_column_text]<\/p>\n<p class=\"paragraph_style\">L\u2019op\u00e9ra f\u00e9erique \u00ab\u00a0L\u2019eau qui danse, la pomme qui chante et l\u2019oiseau qui dit la v\u00e9rit\u00e9\u00a0\u00bb fut une production hautement visuelle dont le r\u00e9sultat fut la suite d\u2019une constante et rigoureuse implication des concepteurs afin d\u2019obtenir une coh\u00e9rence de l\u2019unit\u00e9 visuelle. Rares sont les projets o\u00f9 tous les membres participent activement \u00e0 r\u00e9soudre l\u2019\u00e9nigme de l\u2019homog\u00e9n\u00e9it\u00e9 qu\u2019implique de telles cr\u00e9ations. Le sujet de d\u00e9part n\u2019\u00e9tait pas facile\u00a0 \u00e0 cerner tant les possibilit\u00e9s pouvaient aller dans toutes les directions. La mise en sc\u00e8ne fut sobre et combien plus efficace mettant de l\u2019avant les lignes pures et l\u2019\u00e9vocation au profit de la d\u00e9monstration. Le d\u00e9cor fut compos\u00e9 d\u2019un plancher noir miroir et d\u2019un \u00e9cran avec une cache molle qui permettait diff\u00e9rents horizons. \u00c0 l\u2019aide du m\u00e9dium de la vid\u00e9o plusieurs lieux furent illustr\u00e9s sur l\u2019\u00e9cran alors qu\u2019\u00e0 d\u2019autres moments, c\u2019\u00e9tait l\u2019\u00e9clairage qui prenait le relais gr\u00e2ce \u00e0 l\u2019utilisation de cyclorama\u00a0 \u00ab\u00a0 \u00e0 la Robert Wilson\u00a0\u00bb.<\/p>\n<p>&nbsp;<\/p>\n<p class=\"paragraph_style_1\"><strong>Prix OPUS 2009-2010<\/strong> &#8211; Cr\u00e9ation de l\u2019ann\u00e9e<\/p>\n<p class=\"paragraph_style_1\"><strong>Prix OPUS 2009-2010<\/strong> &#8211; \u00c9v\u00e9nement musical de l\u2019ann\u00e9e<\/p>\n<p class=\"paragraph_style_1\"><strong>Prix OPUS 2009-2010<\/strong> &#8211; Disque de l\u2019ann\u00e9e<\/p>\n<p class=\"paragraph_style\">[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_mask_bg=&#8221;&#8221; row_arrow=&#8221;&#8221; css=&#8221;.vc_custom_1518423354950{padding-top: 40px !important;}&#8221;][vc_column][vc_text_separator title=&#8221;PRESSE&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]&#8221;Les habiles \u00e9clairages de Nicolas Descoteaux, tributaire des aurores bor\u00e9ales, privil\u00e9gient les ondoiements de lumi\u00e8re et enveloppent \u00e0 merveille l\u2019espace sc\u00e9nique, le regard se trouvant \u00e0 la fois interpell\u00e9 par le scintillement et la profondeur des volumes.&#8221;<\/p>\n<p>Par Lucie Renaud, Revue\u00a0<strong><span class=\"out\">Jeu<\/span> <\/strong>#134 (Canada), 8 avril 2010<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>\u00abLe spectacle comme tel est magnifique: effets sc\u00e9niques de toutes sortes, projections sugg\u00e9rant divers lieux, \u00e9clairages ing\u00e9nieux et parfois dirig\u00e9s vers la salle, jeux d\u2019ombres, costumes extravagants et luxueux.\u00bb<\/p>\n<p>Claude Gingras, <strong>La Presse<\/strong> (Canada), 21 novembre 2009<\/p>\n<p>&nbsp;[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_gallery type=&#8221;flexslider_slide&#8221; interval=&#8221;0&#8243; images=&#8221;4507,4506,4501,4502,4509,4503,4504,4510,4511,4505,4512,4513&#8243; img_size=&#8221;full&#8221; onclick=&#8221;&#8221; css_animation=&#8221;slideInDown&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=&#8221;OP\u00c9RA|F\u00c9ERIE&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css_animation=&#8221;cms_animate wow slideInRight&#8221; cms_custom_headding_type=&#8221;heading-borderleft-textbold&#8221;][\/vc_column][\/vc_row][vc_row row_mask_bg=&#8221;&#8221; row_arrow=&#8221;&#8221; css=&#8221;.vc_custom_1518409839979{padding-top: 30px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1541750495771{padding-left: 30px !important;}&#8221;]Musique : Gilles<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":3290,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/pages\/3454"}],"collection":[{"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3454"}],"version-history":[{"count":4,"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/pages\/3454\/revisions"}],"predecessor-version":[{"id":4551,"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/pages\/3454\/revisions\/4551"}],"up":[{"embeddable":true,"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/pages\/3290"}],"wp:attachment":[{"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3454"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}