{"id":3439,"date":"2018-05-25T12:32:26","date_gmt":"2018-05-25T12:32:26","guid":{"rendered":"http:\/\/nicolasdescoteaux.com\/?page_id=3439"},"modified":"2019-01-02T18:25:04","modified_gmt":"2019-01-02T18:25:04","slug":"2-combattimento","status":"publish","type":"page","link":"http:\/\/nicolasdescoteaux.com\/?page_id=3439","title":{"rendered":"2- Combattimento"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_gallery type=&#8221;flexslider_slide&#8221; interval=&#8221;0&#8243; images=&#8221;4454,4459,4467,4466,4465,4464,4463,4462,4461,4460,4458,4457,4456,4455&#8243; img_size=&#8221;full&#8221; onclick=&#8221;&#8221; css_animation=&#8221;slideInDown&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=&#8221;COMBATTIMENTO|OPERA D&#8217;HERBLAY&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css_animation=&#8221;cms_animate wow slideInRight&#8221; cms_custom_headding_type=&#8221;heading-borderleft-textbold&#8221;][\/vc_column][\/vc_row][vc_row row_mask_bg=&#8221;&#8221; row_arrow=&#8221;&#8221; css=&#8221;.vc_custom_1518409839979{padding-top: 30px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1541364036417{padding-left: 30px !important;}&#8221;]<strong>Musique :<\/strong> <span class=\"style_1\">Monteverdi<\/span><\/p>\n<p><strong>Direction musicale :<\/strong> Johannes Pramsohler<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Mise en sc\u00e8ne :<\/strong> Florent Siaud<\/p>\n<p><strong>Sc\u00e9nographie :\u00a0<\/strong>Philippe Miesch<\/p>\n<p><strong>Costumes :<\/strong> Jean-Daniel Vuillermoz<\/p>\n<p><strong>Lumi\u00e8res :<\/strong> Nicolas Desc\u00f4teaux<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Photos :<\/strong> \u00a9 Nicolas Desc\u00f4teaux<\/p>\n<p>&nbsp;<\/p>\n<p><strong>PRODUCTION :<\/strong> <span class=\"style_1\">Th\u00e9\u00e2tre Roger Barat , Herblay, Paris 2013<\/span><\/p>\n<p class=\"paragraph_style\">[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_custom_heading text=&#8221;Extraits | Synopsis&#8221; font_container=&#8221;tag:h3|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][vc_column_text]<\/p>\n<p class=\"paragraph_style_4\">B\u00e2ti autour du Combat de Tancr\u00e8de et Clorinde, Combattimento, saisissant madrigal de Monteverdi, met en sc\u00e8ne un songe tumultueux de Torquato Tasso, po\u00e8te fou de la Renaissance italienne emprisonn\u00e9 \u00e0 Ferrare en 1580. Entre veille et sommeil, il est ici visit\u00e9 par les personnages de sa fameuse J\u00e9rusalem d\u00e9livr\u00e9e. T\u00e9moin des amours du chevalier Renaud et de la magicienne Armide, il entend la belle Herminie verser des larmes, avant de d\u00e9crire en conteur hallucin\u00e9 le duel qui oppose Clorinde \u00e0 Tancr\u00e8de.<\/p>\n<p>&nbsp;<\/p>\n<p class=\"paragraph_style_4\">Entrelac\u00e9e de pages instrumentales tant\u00f4t m\u00e9lancoliques tant\u00f4t virevoltantes, cette fantasmagorie baroque se d\u00e9ploie dans un espace en clair-obscur travers\u00e9 de projections vid\u00e9o spectrales. Accompagn\u00e9s par l\u2019Ensemble Diderot de Johannes Pramsohler, trois solistes mis en sc\u00e8ne par Florent Siaud font revivre les chim\u00e8res de cette plume g\u00e9niale et tourment\u00e9e.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_mask_bg=&#8221;&#8221; row_arrow=&#8221;&#8221; css=&#8221;.vc_custom_1518423354950{padding-top: 40px !important;}&#8221;][vc_column][vc_text_separator title=&#8221;PRESSE&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_gallery type=&#8221;flexslider_slide&#8221; interval=&#8221;0&#8243; images=&#8221;4454,4459,4467,4466,4465,4464,4463,4462,4461,4460,4458,4457,4456,4455&#8243; img_size=&#8221;full&#8221; onclick=&#8221;&#8221; css_animation=&#8221;slideInDown&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=&#8221;COMBATTIMENTO|OPERA D&#8217;HERBLAY&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css_animation=&#8221;cms_animate wow slideInRight&#8221; cms_custom_headding_type=&#8221;heading-borderleft-textbold&#8221;][\/vc_column][\/vc_row][vc_row row_mask_bg=&#8221;&#8221; row_arrow=&#8221;&#8221; css=&#8221;.vc_custom_1518409839979{padding-top: 30px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1541364036417{padding-left: 30px !important;}&#8221;]Musique :<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":3290,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/pages\/3439"}],"collection":[{"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3439"}],"version-history":[{"count":3,"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/pages\/3439\/revisions"}],"predecessor-version":[{"id":4548,"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/pages\/3439\/revisions\/4548"}],"up":[{"embeddable":true,"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=\/wp\/v2\/pages\/3290"}],"wp:attachment":[{"href":"http:\/\/nicolasdescoteaux.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3439"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}