{"id":3423,"date":"2018-05-25T12:26:17","date_gmt":"2018-05-25T12:26:17","guid":{"rendered":"http:\/\/nicolasdescoteaux.com\/?page_id=3423"},"modified":"2018-12-01T01:05:10","modified_gmt":"2018-12-01T01:05:10","slug":"2-cav","status":"publish","type":"page","link":"http:\/\/nicolasdescoteaux.com\/?page_id=3423","title":{"rendered":"2- Cav"},"content":{"rendered":"

[vc_row][vc_column][vc_gallery type=”flexslider_slide” interval=”0″ images=”4411,4412,4413,4414,4415,4416,4417,4418,4419,4420″ img_size=”full” onclick=”” css_animation=”slideInDown”][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=”CAVALLERIA RUSTICANA|OPERA NATIONAL DU RHIN” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes” css_animation=”cms_animate wow slideInRight” cms_custom_headding_type=”heading-borderleft-textbold”][\/vc_column][\/vc_row][vc_row row_mask_bg=”” row_arrow=”” css=”.vc_custom_1518409839979{padding-top: 30px !important;}”][vc_column width=”1\/2″][vc_column_text css=”.vc_custom_1541361400730{padding-left: 30px !important;}”]Musique :<\/strong> Pietro Mascagni<\/p>\n

Livret :\u00a0 <\/span><\/strong>Giovanni Targioni-Tozzetti\u00e0<\/p>\n

Direction musicale :<\/strong>Daniele Callegari<\/p>\n

 <\/p>\n

Mise en sc\u00e8ne :\u00a0<\/strong>Kristian Fredric<\/p>\n

Sc\u00e9nographie :\u00a0<\/strong>Bruno de Laven\u00e8re<\/p>\n

Costumes :\u00a0<\/strong>Gabriele Heimann<\/p>\n

Lumi\u00e8res : <\/strong>Nicolas Descoteaux<\/p>\n

 <\/p>\n

Photos :<\/strong> \u00a9 Nicolas Desc\u00f4teaux<\/p>\n

 <\/p>\n

PRODUCTION :<\/strong> OPERA NATIONAL DU RHIN \u00c0 STRASBOURG, 2017[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_custom_heading text=”Extraits | Synopsis” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”][vc_column_text]A Strasbourg, le c\u00e9l\u00e8bre diptyque devient \u00ab Les labours de la souffrance \u00bb, parabole de l’\u00e9ternelle mis\u00e8re des corps et des c\u0153urs \u00e0 travers une Italie sinistr\u00e9e : Cavalleria<\/i> se passe dans un bidonville des ann\u00e9es 1950, Paillasse<\/i> dans un HLM miteux de 1978, au moment de l’assassinat d’Aldo Moro par les Brigades rouges. Les deux \u0153uvres forment ainsi un ensemble : le Silvio de Paillasse<\/i> est fils de Turridu et de Santuzza – doublement frapp\u00e9e, elle finit par se suicider.[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_mask_bg=”” row_arrow=”” css=”.vc_custom_1518423354950{padding-top: 40px !important;}”][vc_column][vc_text_separator title=”PRESSE”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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