{"id":3205,"date":"2018-02-12T04:09:50","date_gmt":"2018-02-12T04:09:50","guid":{"rendered":"http:\/\/nicolasdescoteaux.com\/?page_id=3205"},"modified":"2018-12-01T01:05:18","modified_gmt":"2018-12-01T01:05:18","slug":"a-nicko-type-portfolio","status":"publish","type":"page","link":"http:\/\/nicolasdescoteaux.com\/?page_id=3205","title":{"rendered":"2- P\u00e9ll\u00e9as"},"content":{"rendered":"

[vc_row][vc_column][vc_gallery type=”flexslider_slide” interval=”0″ images=”4406,4405,4404,4403,4402,4401,4400,4409,4408″ img_size=”full” onclick=”” css_animation=”slideInDown”][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=”PELL\u00c9AS ET|M\u00c9LISANDE” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes” css_animation=”cms_animate wow slideInRight” cms_custom_headding_type=”heading-borderleft-textbold”][\/vc_column][\/vc_row][vc_row row_mask_bg=”” row_arrow=”” css=”.vc_custom_1518409839979{padding-top: 30px !important;}”][vc_column width=”1\/2″][vc_column_text css=”.vc_custom_1541748427398{padding-left: 30px !important;}”]Musique :<\/strong> Debussy<\/p>\n

Direction musicale :<\/strong> Marc Minkoswski<\/p>\n

 <\/p>\n

Mise en sc\u00e8ne :<\/strong> Philippe B\u00e9ziat et Florent Siaud<\/p>\n

Costumes :<\/strong> Cl\u00e9mence Pernoud<\/p>\n

Lumi\u00e8res :<\/strong> Nicolas Desc\u00f4teaux<\/p>\n

Vid\u00e9o :<\/strong> Thomas Isra\u00ebl<\/p>\n

Photos :<\/strong> \u00a9 Nicolas Desc\u00f4teaux<\/p>\n

 <\/p>\n

PRODUCTION :<\/strong> OPERA NATIONAL DE BORDEAUX, 2018[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_custom_heading text=”Description | Citations” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”][vc_column_text]L’orchestre en partageant la sc\u00e8ne avec les personnages et les projections vid\u00e9os, participe \u00e0 cette \u00e9quation p\u00e9rilleuse sur laquelle repose la partition : inscrire des personnages bien vivants dans des lieux aux contours brouill\u00e9s, \u00e0 la lisi\u00e8re du concert et du songe, du r\u00e9el et du symbolique, de l\u2019ombre et de la lumi\u00e8re. Il faut dire que, dans la fantasmagorie debussyste, les images constituant un d\u00e9fi \u00e0 la repr\u00e9sentation sont l\u00e9gions. Dans l\u2019\u00e9trange et lugubre royaume d\u2019Allemonde, hant\u00e9 par le poids d\u2019une histoire ant\u00e9diluvienne, les d\u00e9sirs refoul\u00e9s de l\u2019inconscient, les derniers soubresauts d\u2019une soci\u00e9t\u00e9 d\u00e9clinante, qu\u2019est-ce qui rel\u00e8ve du concret ou de la vision psychique ?\u00a0<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_mask_bg=”” row_arrow=”” css=”.vc_custom_1518423354950{padding-top: 40px !important;}”][vc_column][vc_text_separator title=”PRESSE”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\u201c Evidemment les lumi\u00e8res r\u00e9gl\u00e9es par Nicolas Descoteaux constituent un \u00e9l\u00e9ment fondamental de la r\u00e9ussite du spectacle, et elles accompagnent sans le moindre hiatus toutes les situations, en symbiose avec les vid\u00e9os et avec l\u2019orchestre.\u201c<\/p>\n

Maurice Salles, Forum Opera.com<\/b><\/p>\n

 <\/p>\n

\u201c … Cette fluidit\u00e9 visuelle se transmet par la domination d\u2019un bleu sombre, les lumi\u00e8res de Nicolas Descoteaux mat\u00e9rialisant la bascule entre t\u00e9n\u00e8bres et \u00e9clats afin de d\u00e9voiler au mieux les passions humaines les plus noires qui ont inspir\u00e9 Debussy pour cet op\u00e9ra. \u201c<\/p>\n

Charlotte Saulneron, ResMusica.com<\/b><\/p>\n

 <\/p>\n

\u201c…Elle est soutenue par un remarquable travail sur les lumi\u00e8res (Nicolas Descoteaux) et sur la vid\u00e9o (Thomas Isra\u00ebl).\u00a0<\/span><\/p>\n

Laurent Amourette, Classicagenda.com<\/b>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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